The three modes, Keep High, Neutral and Keep Low give you three kinds of characters of distortion. In those situations where you just want to add a few early reflections to liven up a source, without any obvious reverb, the Cluster is an absolute godsend. An Infinite button 'freezes' the reverb so that it seems to go on forever, which can be a neat tool for sound design. And that's all the better for us, since the quality of the plug-ins developed by the famous manufacturer of mixing consoles is simply excellent. I agree with the previous post… Quantum Leap Spaces is my go to 1 reverb. But definitely worth a mention, thanks! Simply explained, it takes chords of up to six notes and plays them in a predefined sequence in sync with your sequencer.
You can adjust the threshold, range, and other parameters of the. To follow these knobs, you have room size, pre-delay and the width. This plugin also smoothly harmonizes singing voices with the frequencies from instrumental tracks. This also opens up a lot of different avenues. People whose opinion I respect have lauded it as the best algorithmic reverb they've heard, and have mentioned it in the same breath as names like Bricasti. Here, there would be no reflections from the walls, ceiling or floor, and you would only hear the attack of the drums and the natural decay from their shells. What to Use This Reverb On: The epicVerb aims to recreate small rooms and halls, as well as ambient effects.
These modes result in six different stereo early reflection models. A simple knob for pre-delay, space, time, and width allows you to control the reverb parameters for whichever mode you select. For example, by pushing the Breath control up to maximum, you can turn almost anything into an interesting rhythmic loop, while muting the transients adds instant spaciness to any source. This is a good thing. Drums and ensembles across genres, Classical and if the space needs augmenting.
In some cases, this involves a balancing act between physical realism and perceptual realism, as the settings that most accurately recreate the way real spaces behave aren't necessarily those that provide the most convincing or useful simulation! Of course, the ability to realistically position sound sources within a virtual acoustic space isn't necessary for or appropriate to all styles of music, and it's not obvious how much use Spat would be in a busy modern rock or pop mix, let alone a dance record. Above all, most of what you get out of Verb is highly usable, whether in an exposed acoustic setting or a dense rock mix. As always, our aim is to provide you with a definitive and above all useful overview of your reverb plugin options in 2017, so that you can try out the ones that pique your interest and choose the very best and most appropriate tools for your productions. We're talking serious stuff here! All the features mentioned above make this a top-notch plugin that can be used across all genres. Plus, you can use the flexible voice count function to create up to six additional voices on a single track for immediately lush sound expansion and resonance.
The most important of the three is Trax Transformer, which, like Spat, hides a lot of very clever technical stuff behind a control set that refers to the everyday language we use to talk about voices and other sounds. What about the sound, you ask? Anyway, I doubt that anyone will ever read this post, but if you do, take my advice and do as I do: bounce dry from Pro Tools, import into Logic and add the reverb, then bounce again and import into Pro Tools. This plugin can be applied to individual instruments as well as complete tracks, delivering stereo field modulations that emulate the evocative sound of echoes traveling throughout winding caverns. I like to think of it as a way to boost the low end while still keeping it under control. They have the reverb plugin Reverb.
Favorite use: I just told you. But when we do want clean and open, nothing can beat it. That is, apart from one thing. Both plug-ins include plenty of presets. Let us not forget that there is also a lighter version, called , with even less parameters that costs less than half what the does. Particularly sweeter melodic elements like piano, acoustic guitar and strings.
Dub delay can sound really cool on all kinds of sounds and this free effect plugin has an alias-free saturation stage, a delay of up to 6 seconds, multiple filters and adjustable inout drive. Designed to recreate the sound of a Fender Precision bass, this plugin delivers accurate low-end tone, natural harmonics, and playing techniques like bass slaps. I hang with the top mixers and we talk shop. Just let the vocal rider do the work for you. But be prepared to put in some work. Going beyond the typical early and late reflections calculations of most algorithmic reverbs, this one includes an additional cluster parameter that determines what happens between the early reflections and conventional reverb tail. This is mostly because of the incredible selection of presets Softube provides within the plugin.
The plugin even offers Biovox, with controls that mimic or reduce natural human vocal qualities breath, nasality, etc. This standard yet essential plugin provides control over the bass and treble frequencies of individual instruments as well as complete tracks. Taken from the chorus section of a larger virtual instrument, this effect features the characteristics of the chorus section of the classic Roland Juno 60 synth. Well, take the time to test the following plug-ins, which might just end up revolutionizing the quality of your productions. Not only does it represent an old-school plate reverb visually, but the quality it provides is accurate too.